On another thread I’m trying to discuss a topic that I know will not fly (it will be hijacked by a few adherents of a tradition in question). So I am going to try to examine it in parts, starting here.
Evangelical Protestantism has traditionally held to the Penal Substitution Theory of Atonement as it’s view (to varying degrees). But in popular Christian fiction this is often not the case. I realize that fiction is fiction, but with Christian fiction I think it reasonable that the audience at least suspects it conveys some types of truth along with or within the fiction.
Many of the authors who are popular among those who hold the Theory of Penal Substitution Atonement also, at least in their fiction, present ideas opposed to the Theory.
I think the more popular example is C.S. Lewis’ Chronicles of Narnia which presents the “classic view” of the Atonement over the “Latin view”.
Ted Dekker’s books often present the idea of Penal Substitution as a delusion that have blinded those who are religious but who are not “in Christ”.
Other examples include Frank Peretti, Rachelle Dekker, and Tosca Lee. (An example unrelated to this topic is eschatological views and the Left Behind series).
Do you believe that these types of works influence the theology of younger generations?
Evangelical Protestantism has traditionally held to the Penal Substitution Theory of Atonement as it’s view (to varying degrees). But in popular Christian fiction this is often not the case. I realize that fiction is fiction, but with Christian fiction I think it reasonable that the audience at least suspects it conveys some types of truth along with or within the fiction.
Many of the authors who are popular among those who hold the Theory of Penal Substitution Atonement also, at least in their fiction, present ideas opposed to the Theory.
I think the more popular example is C.S. Lewis’ Chronicles of Narnia which presents the “classic view” of the Atonement over the “Latin view”.
Ted Dekker’s books often present the idea of Penal Substitution as a delusion that have blinded those who are religious but who are not “in Christ”.
Other examples include Frank Peretti, Rachelle Dekker, and Tosca Lee. (An example unrelated to this topic is eschatological views and the Left Behind series).
Do you believe that these types of works influence the theology of younger generations?
