Robin Griffith-Jones wrote: “The prayer book of 1604 and the Bible of 1611 were both liturgical texts, to be used in conjunction with each other. Their uniform style was archaic, on the trajectory that led to the prayer book of 1662: a style that by the mid-seventeenth century was recognizably and distinctively liturgical” (Burke, KJV at 400, p. 81). Lori Anne Ferrell asserted: “With its Latinate cadences and lack of explanatory marginal notes, the 1611 Bible, that masterpiece of English prose, was not designed to be a Bible for study and instruction but a text aimed at supporting the Church of England’s Book of Common Prayer” (Killeen, Oxford Handbook, p. 268). Lori Anne Ferrell maintained that the Book of Common Prayer “effectively organizes and redacts those [scriptural] passages to complement a national liturgy. In short, the Book of Common Prayer acts as a curb to individual scriptural interpretation—which, of course, is exactly what a state church’s liturgy is meant to do: express a corporate, not private, religious culture” (pp. 268-269).
Robin Griffith-Jones wrote: “The archaisms characteristic of the KJV characterize as well the prayer book of 1604 –and then of 1662” (Burke, KJV at 400, p. 71). Stephen Prickett maintained that the KJV “was to be deliberately archaic, latinized, and conservative” (Hamlin, KJB after 400, p. 30). Stephen Prickett wrote: “It [the KJV] did not arise from nowhere, but (for all the vilification of him) drew heavily on Tyndale, not to mention Coverdale, the Geneva Bible, and the others. A natural conservatism in the fact of a very rapidly changing language would probably have given the new translation an archaic feel anyway, but the instructions to follow, where possible, the Bishops’ Bible, and a clear political agenda merely reinforced this tendency” (p. 33). In this same book, Hannibal Hamlin and Norman Jones referred to the KJV’s “increasingly archaic language (which was at least slightly archaic even in 1611 when it was first published)” (p. 20).
David Crystal wrote: “The [KJV] translators were consciously conservative, and frequently introduced archaism and traditional readings, especially from Tyndale and Coverdale” (Cambridge Encyclopedia of the English, p. 64). David Daniell asserted: “Those scholars were tied by having, at the King’s command, to base their work on the ill-done, backward-looking, heavily Latinate Bishops’ Bible of 1568 partly because it had no marginal notes” (William Tyndale, p. 344). David Daniell also observed: "Appeal to Latin, so characteristic of the Authorised Version, tends to flatten differences, and make one special kind of language for everything, something a little antiquated, a little removed, and feeling therefore, for the New Testament, rather artificially holy" (p. 139). David Lawton asserted: “The style of the King James Bible was meant to align the reading of the Bible with the worship of the Church of England; and its slightly old-fashioned language was meant to express the great antiquity of that Church” (Faith, p. 81). In an introduction to an Oxford World’s Classics edition of the KJV, Robert Carroll and Stephen Prickett wrote: “Unlike Tyndale, who had translated the koine Greek of the New Testament into a direct and forceful contemporary vernacular, the language of the new translation [the KJV] was often deliberately archaic and Latinized” (p. xxviii).