Hi;
I am sorry it has taken soooo long to get back to this thread. I have moved to another town 160 miles east and it takes awhile to get back to a routine. I am sorry I am so late with this but I promised so here it is. After a bit of research and looking around, I have come up with this for a suitable answer to the many objections I have read concerning the use of "modern" praise tunes for our worship.
DID THE WESLEYS USE TAVERN MUSIC?
November 24, 2002 (David Cloud, Fundamental Baptist Information Service,
P.O. Box 610368, Port Huron, MI 48061, 866-295-4143,
fbns@wayoflife.org;
for instructions about subscribing and unsubscribing or changing addresses,
see the information paragraph at the end of the article)
The following is from the United Methodist News Service, September 30,
2002. It was written by Dean McIntyre, director of worship resources at the
United Methodist Board of Discipleship. We are picking this up from
Foundation magazine, November-December 2002. While we certainly do not
support the United Methodist Church, the following is an accurate and
important debunking of a popular myth and we are thankful to Mr. McIntyre
for taking this stand:
____________________
Did the Wesleys really use drinking song tunes for their hymns? This
drinking tune myth pervades our denomination and has attained the status of
truth in many people's minds, including pastors, musicians, professors,
writers, students, and our general laity.
Of particular importance is the distinction between the use of secular
music as hymn tunes--a practice that the Wesleys did occasionally use--and
the use of drinking tunes or saloon songs as hymn tunes--a practice that
they did not use.
The Wesleys did not use tavern or drinking songs to carry their texts.
Their theology as well as their sense of aesthetics would have made such an
occurrence unthinkable. There are no such examples in their collections.
There are no suggestions or recommendations that others do so in any of
their writings.
The oft-repeated legend results from some poor, misinformed person who
confused the medieval literary bar form, also sometimes known as bar tune,
with tavern song. Once spoken out of ignorance, the confused version took
on a life of its own and seemingly grows with each repetition.
The legend is now repeated by those who advocate this very practice in the
church's worship and music today. They use the "fact" that the Wesleys did
it as justification for their argument that we should also do it. I want to
argue that those who wish to commend this practice to the church should not
be allowed to appeal to an historical inaccuracy or lie as their
justification. They should be able to argue the position on its own merits.
The Wesleys did, indeed, make use of secular music as hymn tunes--rarely.
And when they did, THE MUSIC ALWAYS WAS FROM SOURCES OF RECOGNIZABLE BEAUTY
AND EXCELLENCE, such as an original composition by the great composer
Handel as a tune for "Rejoice, the Lord Is King." Other secular sources
used by the Wesleys included the classical music of their day, a few opera
tunes, and perhaps a folk song or two. But IN EVERY CASE WHERE THEY MADE
USE OF SECULAR MUSIC FOR THEIR HYMNS, IT WAS ALWAYS OF THE VERY HIGHEST
CALIBER, never a little ditty, jingle or disposable contemporary pop tune
of the day that would be cast aside as soon as the next one was penned. …
I feel quite comfortable casting my lot with … the Wesleys in this matter.
I'm happy for us to "redeem" and use secular music in our worship if it is
appropriate (and legal) AND IF THE RESULT IS SOMETHING WE NEED NOT BE
ASHAMED OF IN OFFERING BACK TO GOD. USE OF THE MUSIC MUST NOT PUT US IN
ASSOCIATION WITH ACTIVITIES, LIFESTYLES AND BEHAVIORS THAT ARE INCONSISTENT
WITH A LIFE OF LOVE IN CHRIST. …
The legend has a seductive quality to it. How can anyone argue against the
kind of evangelical zeal demonstrated by one who would go out into the bars
and taverns of our communities in search of lost souls, and who would be
willing to make use of that culture's music to attempt to appeal to them to
hear our message? It is that very appealing evangelistic zeal that makes us
today repeat the story again and again, even if it isn't true. We want to
think of the Wesleys as having done that, even if they didn't.
The truth is, while they quite likely preached to the lost, including a
fair share of drunks and alcoholics, in many venues, THEY DID NOT AND WOULD
NOT HAVE USED THE MUSIC ASSOCIATED WITH THAT SINFUL BEHAVIOR IN THEIR HYMN
SINGING. They certainly did not use it in their hymnal publishing or in
their journal or letter writing.
End of article by Dean McIntyre.
_______________________
CONCLUDING NOTE FROM BROTHER CLOUD:
Contemporary Christian Music is founded upon an unscriptural premise, that
music is neutral and that any music can be used to glorify the Lord.
Nothing could be farther from the truth. God is holy, while this world
system is sinful and demonic. Music that glorifies and feeds the sinful
flesh and drives the wicked, demonic rock scene can never be pleasing to a
thrice holy God. It is true today as in the days of old, when Israel was
apostate:
"Her priests have violated my law, and have profaned mine holy things: they
have put no difference between the holy and profane, neither have they
shewed difference between the unclean and the clean, and have hid their
eyes from my sabbaths, and I am profaned among them" (Ezekiel 22:26).
I have more if any would like for me to post it but I say let the Scriptures speak for themselves. You will notice that we are to put a DIFFERENCE between the Holy and the profane.
AV1611Jim