You are correct; I stand corrected.
Really? I've seen it both ways...but I've used neither. So I guess I stand corrected along with you, Don. But I agree. :smilewinkgrin:
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You are correct; I stand corrected.
How does anyone know what music was played around the so-called "golden calf"?"We've got to be very careful not to have the worship of the golden-calf-type music in our lives.
Probably. I mean, what all good, all knowing, all powerful Being allows Windows 8.0 to be released to the general public and while also letting the Office Suite be the primary tool for businesses across the world.
I did have a fundamentalist, in one of my former churches, who was convinced the Apple Logo was a sign of Satan...the bite mark and all.
Recent sermon by the President of Baptist College of Ministry:
05/04/2014, Dr. Wayne Van Gelderen, Jr., Ephesians 5:19, "Spiritual Music"
@33:30
"We've got to be very careful not to have the worship of the golden-calf-type music in our lives. Anything that reflects this world.
You think about it, music of this world really does reflect the religions of this world.
In the Orient, the dissonant and unresolved is like Buddhism and others is that haunting religion that goes from cycle to cycle with nothing really meaningful.
Or you have the pulsating rhythm of tribal music which has the supernatural passions of the cultic rites and Satanic rites.
Or in the Western world, our humanism and sensuality with the seduction and suggestiveness of our music.
Make no mistake nothing is neutral, and music is usually called, is a call to worship one way or the other and Satan has been a master in the Western world of combining music really from different cultures to bring in that kind of music in which Satan can easily cause us to forget God and do what we want to do."
Really? I've seen it both ways...but I've used neither. So I guess I stand corrected along with you, Don. But I agree. :smilewinkgrin:
Amen to that.
In the Orient, the dissonant and unresolved is like Buddhism and others is that haunting religion that goes from cycle to cycle with nothing really meaningful.
Actually, he's incorrect. *Everything* is neutral -- until you or I pick it up and do something with it.
That hammer in your tool drawer? It just sits there, neutral, until you pick it up and use it for selfish purposes like hanging a picture of yourself on the wall; or for murderous purposes, like bashing in someone's head; or for uplifting purposes, like helping to build a house for someone in need.
Music that uses uplifting melodies - can be used for bowdy bar songs, or worship. Consider: How hard is it for a "Weird Al Yanokovich" type to take "Amazing Grace" and turn it into a pornographic rendition?
But if we're going to try to actually come up with distinctions about which melodies are "approved" for worship, and which aren't -- well, let's just go the way of the Church of Christ and everyone sing acappela.
Although, we'd still get into this argument, because our own voices create melodies, so scratch that idea....
I don't know what to tell you, other than re-read Romans 14, and let God lead.
Actually, he's incorrect. *Everything* is neutral -- until you or I pick it up and do something with it.
That hammer in your tool drawer? It just sits there, neutral, until you pick it up and use it for selfish purposes like hanging a picture of yourself on the wall; or for murderous purposes, like bashing in someone's head; or for uplifting purposes, like helping to build a house for someone in need.
Music that uses uplifting melodies - can be used for bowdy bar songs, or worship. Consider: How hard is it for a "Weird Al Yanokovich" type to take "Amazing Grace" and turn it into a pornographic rendition?
But if we're going to try to actually come up with distinctions about which melodies are "approved" for worship, and which aren't -- well, let's just go the way of the Church of Christ and everyone sing acappela.
Although, we'd still get into this argument, because our own voices create melodies, so scratch that idea....
I don't know what to tell you, other than re-read Romans 14, and let God lead.
people think THEIR music is normal and correct, everything else is weird and/or evil.
Really?Music is does not communicate like a hammer does, music has a message by itself without words and communicates such. You're trying to compare apples to oranges, a hammer is not comparable to musical styles.
Really?
Music is created by the musician. There is no music without a musician. Music is used to convey a message; but it is the musician who puts the tune together, and plays the notes that tug at hearts or cause hands to cover ears.
Just as someone can use a hammer for good or evil, a musician can make music for edification or to elicit darker urges. Music can do nothing without the one who plays the notes.
Yes music is used to convey a message, and it does so without words, don't believe me? go watch an old black and white movie, notice when they use different types of music to develop feelings of humor, sadness,etc... and all WITHOUT WORDS.
Rock Music and Ragtime were mainly a genre produced to promote carnality, the musical style itself was created and without the words it still sends a message of carnality, The original artists that pioneered these genres were using it for carnality and there's a reason why it fits so well with carnal wicked lyrics, because that's what the style was originally intended for, you cannot divorce the carnal message it sends with just the music, you can try and deny that the music itself sends a carnal message all you want, but that does change the reality that it does. The music itself elicit can elicit darker urges without the words. I use to do drugs, and I listened to music without words, but let me tell you the message was plain and clear, for example electronic dance music, sends a message of sex and drug highs. I find it quite interesting that you can hardly find a music with immoral lyrics played to a style like found in John Newtons Amazing Grace, yet Rock Music, and Ragtime is filled this, though not exclusively.
The bible says Can two walk together except they be agreed, Just because you slap John 3:16 on a bottle of alcohol, that does not change the nature of alcohol, Try putting John 3:16 on a bag of cocaine and then tell me that it's not carnal anymore.. yet you seem to think this works, you seem to ignore the fact that music has a nature WITHOUT the lyrics. Music manipulates emotions, there is certain types of music that cause feelings of sadness, fear, courage, and also LUST, this can all be done without words. Are you really going to sit here and try and tell me you REALLY believe music is amoral and neutral?
I don't care what all these people say on the Baptist Board and I don't care about all these arguments you come up with, you strain at gnats and swallow camels, repent of this wicked flesh feeding position you have on music, you people defend your music out of completely selfish desires, it's all about having your tastes and what pleases you, that's why people always get so defensive when it comes to music, I highly doubt you really care about listening to music that reflects the character of God and brings him glory when you sit here and try to defend the wicked idea that all music is amoral, it's all just an attempt for you to defend self pleasure. Let's be honest, if you really cared about the Lord, even if I was wrong about this music, you would still put it away for the sake of unity and not offending your brother, but CCM people don't do this, it's all about self and what YOU want, the fact that the CCM crowd gets so defensive and that they so mock and jeer at the conservatives on this side of the issue says a lot about the spirit they have. It's so clear as day that this is all about having the leeks and the onions of Egypt while trying to feel like your serving the Lord. It's all about worshiping the idols of this world under the pretense of it being done for Jesus.
This Philosophy makes me sick because I believe it is a horribly disgrace to the Lord Jesus Christ, My Savior and his holiness is not reflected by wicked Rock Music, Hip Hop and other genres of music that have come straight out of the pits of hell.
You can come up with fancy argument all you want, But deep down inside if you ponder your heart and pray in earnest asking the Holy Spirit to reveal the truth to you about this,search the scriptures, and do a study on the history and effects of music, I am convinced you will end up on my side of the argument.
If I offend you with this post, it means your convicted and need to repent.
You blame music like gun control advocates blame guns.Yes music is used to convey a message, and it does so without words, don't believe me? go watch an old black and white movie, notice when they use different types of music to develop feelings of humor, sadness,etc... and all WITHOUT WORDS.
Rock Music and Ragtime were mainly a genre produced to promote carnality, the musical style itself was created and without the words it still sends a message of carnality, The original artists that pioneered these genres were using it for carnality and there's a reason why it fits so well with carnal wicked lyrics, because that's what the style was originally intended for, you cannot divorce the carnal message it sends with just the music, you can try and deny that the music itself sends a carnal message all you want, but that does change the reality that it does. The music itself elicit can elicit darker urges without the words. I use to do drugs, and I listened to music without words, but let me tell you the message was plain and clear, for example electronic dance music, sends a message of sex and drug highs. I find it quite interesting that you can hardly find a music with immoral lyrics played to a style like found in John Newtons Amazing Grace, yet Rock Music, and Ragtime is filled this, though not exclusively.
The bible says Can two walk together except they be agreed, Just because you slap John 3:16 on a bottle of alcohol, that does not change the nature of alcohol, Try putting John 3:16 on a bag of cocaine and then tell me that it's not carnal anymore.. yet you seem to think this works, you seem to ignore the fact that music has a nature WITHOUT the lyrics. Music manipulates emotions, there is certain types of music that cause feelings of sadness, fear, courage, and also LUST, this can all be done without words. Are you really going to sit here and try and tell me you REALLY believe music is amoral and neutral?
I don't care what all these people say on the Baptist Board and I don't care about all these arguments you come up with, you strain at gnats and swallow camels, repent of this wicked flesh feeding position you have on music, you people defend your music out of completely selfish desires, it's all about having your tastes and what pleases you, that's why people always get so defensive when it comes to music, I highly doubt you really care about listening to music that reflects the character of God and brings him glory when you sit here and try to defend the wicked idea that all music is amoral, it's all just an attempt for you to defend self pleasure. Let's be honest, if you really cared about the Lord, even if I was wrong about this music, you would still put it away for the sake of unity and not offending your brother, but CCM people don't do this, it's all about self and what YOU want, the fact that the CCM crowd gets so defensive and that they so mock and jeer at the conservatives on this side of the issue says a lot about the spirit they have. It's so clear as day that this is all about having the leeks and the onions of Egypt while trying to feel like your serving the Lord. It's all about worshiping the idols of this world under the pretense of it being done for Jesus.
This Philosophy makes me sick because I believe it is a horribly disgrace to the Lord Jesus Christ, My Savior and his holiness is not reflected by wicked Rock Music, Hip Hop and other genres of music that have come straight out of the pits of hell.
You can come up with fancy argument all you want, But deep down inside if you ponder your heart and pray in earnest asking the Holy Spirit to reveal the truth to you about this,search the scriptures, and do a study on the history and effects of music, I am convinced you will end up on my side of the argument.
If I offend you with this post, it means your convicted and need to repent.
if Scripture condemns Homosexuality, can we then choose to appeal to Romans 14 and say "Well I think it's ok for me, if you judge me you are being legalistic"You blame music like gun control advocates blame guns.
Until you realize it's not the music, but the person making it, you'll continue to strain at gnats yourself.
Find a copy of "Music for Prague1968" and give it a listen. You most likely will condemn it for its discordance through much of the piece--unless you realize it's a reflection of the discordance that was felt by the people when the Russians marched in and took over. And the piece ends with a very strong overture with heavy beats--symbolizing the spirit of the people of Prague, that they would persevere.
Re-read Romans 14, my friend. The chapter is about meat; but the principle ia about offending weaker brethren who choose to be almost legalistic in their identification of what's acceptable and what's not.
Perhaps you're right, and I'll have to answer to God on this matter. Or perhaps God will ask you, "why did you forbid My chidren to worship Me?"
Until you realize it's not the music, but the person making it, you'll continue to strain at gnats yourself.
So if a Christian synthesizes cocaine and slaps a Jesus label on it with the intention of people taking it and getting excited at church, that makes it sanctified and good to use according to your logic? because the only thing that matters is the person making it right? the substance or nature of what they create doesn't matter right?
Or if a Christian makes pornography and holds up bible verses in the backround, that somehow sanctified it and makes it ok to worship God with?
The bible says they that worship God must worship him in Spirit and in Truth.
If I take say a a death metal song written about killing babies and glorifying sin and it has an angry sound to it, and I take out the lyrics, (which you can't even hear most of the time anyway) then by taking out the lyrics have I then removed the appeal to the sinful flesh? because that is the position you hold to...
or does it retain it's appeal to the flesh?
You and I both know the answer the question.
"They that worship God must worship him in Spirit and in truth"
You can't worship God in the sinful flesh, yet that's what happens with CCM, it's not God you're worshiping, it's the emotions of the flesh.
One cannot speak of music as if one can find it growing on trees, or randomly lying on the ground somewhere.Actually, he's incorrect. *Everything* is neutral -- until you or I pick it up and do something with it.
That hammer in your tool drawer? It just sits there, neutral, until you pick it up and use it for selfish purposes like hanging a picture of yourself on the wall; or for murderous purposes, like bashing in someone's head; or for uplifting purposes, like helping to build a house for someone in need.
Music that uses uplifting melodies - can be used for bowdy bar songs, or worship. Consider: How hard is it for a "Weird Al Yanokovich" type to take "Amazing Grace" and turn it into a pornographic rendition?
But if we're going to try to actually come up with distinctions about which melodies are "approved" for worship, and which aren't -- well, let's just go the way of the Church of Christ and everyone sing acappela.
Although, we'd still get into this argument, because our own voices create melodies, so scratch that idea....
I don't know what to tell you, other than re-read Romans 14, and let God lead.
The Music of the Ainur
There was Eru, the One, who in Arda is called Ilúvatar; and he made first the Ainur, the Holy Ones, that were the offspring of his thought, and they were with him before aught else was made. And he spoke to them, propounding to them themes of music; and they sang before him, and he was glad. But for a long while they sang only each alone, or but few together, while the rest hearkened; for each comprehended only that part of the mind of Ilúvatar from which he came, and in the understanding of their brethren they grew but slowly. Yet ever as they listened they came to deeper understanding, and increased in unison and harmony.
And it came to pass that Ilúvatar called together all the Ainur and declared to them a mighty theme, unfolding to them things greater and more wonderful than he had yet revealed; and the glory of its beginning and the splendor of its end amazed the Ainur, so that they bowed before Ilúvatar and were silent.
Then Ilúvatar said to them: ‘Of the theme that I have declared to you, I will now that ye make in harmony together a Great Music. And since I have kindled you with the Flame Imperishable, ye shall show forth your powers in adorning this theme, each with his own thoughts and devices, if he will. But I will sit and hearken, and be glad that through you great beauty has been wakened into song.
Then the voices of the Ainur, like unto harps and lutes, and pipes and trumpets, and viols and organs, and like unto countless choirs singing with words, began to fashion the theme of Ilúvatar to a great music; and a sound arose of endless interchanging melodies woven in harmony that passed beyond hearing into the depths and into the heights, and the places of the dwelling of Ilúvatar were filled to overflowing, and the music and the echo of the music went out into the Void, and it was not void. Never since have the Ainur made any music like to this music, though it has been said that a greater still shall be made before Ilúvatar by the choirs of the Ainur and the Children of Ilúvatar after the end of days. Then the themes of Ilúvatar shall be played aright, and take Being in the moment of their utterance, for all shall then understand fully his intent in their part, and each shall know the comprehension of each, and Ilúvatar shall give to their thoughts the secret fire, being well pleased.
But now Ilúvatar sat and hearkened, and for a great while it seemed good to him, for in the music there were no flaws. But as the theme progressed, it came into the heart of Melkor to interweave matters of his own imagining that were not in accord with the theme of Ilúvatar; for he sought therein to increase the power and glory of the part assigned to himself. To Melkor among the Ainur had been given the greatest gifts of power and knowledge, and he had a share in all the gifts of his brethren. He had gone often alone into the void places seeking the Imperishable Flame; for desire grew hot within him to bring into Being things of his own, and it seemed to him that Ilúvatar took no thought for the Void, and he was impatient of its emptiness. Yet he found not the Fire, for it is with Ilúvatar. But being alone he had begun to conceive thoughts of his own unlike those of his brethren.
Some of these thoughts he now wove into his music, and straight-way discord arose about him, and many that sang nigh him grew despondent, and their thought was disturbed and their music faltered; but some began to attune their music to his rather than to the thought which they had at first. Then the discord of Melkor spread ever wider, and the melodies which had been heard before foundered in a sea of turbulent sound. But Ilúvatar sat and hearkened until it seemed that about his throne there was a raging storm, as of dark waters that made war one upon another in an endless wrath that would not be assuaged.
Then Ilúvatar arose, and the Ainur perceived that he smiled; and he lifted up his left hand, and a new theme began amid the storm, like and yet unlike to the former theme, and it gathered power and had new beauty. But the discord of Melkor rose in uproar and contended with it, and again there was a war of sound more violent than before, until many of the Ainur were dismayed and sang no longer, and Melkor had the mastery. Then again Ilúvatar arose, and the Ainur perceived that his countenance was stern; and he lifted up his right hand, and behold! a third theme grew amid the confusion, and it was unlike the others. For it seemed at first soft and sweet, a mere rippling of gentle sounds in delicate melodies; but it could not be quenched, and it took to itself power and profundity. And it seemed at last that there were two musics progressing at one time before the seat of Ilúvatar, and they were utterly at variance. The one was deep and wide and beautiful, but slow and blended with an immeasurable sorrow, from which its beauty chiefly came. The other had now achieved a unity of its own; but it was loud, and vain, and endlessly repeated; and it had little harmony, but rather a clamorous unison as of many trumpets braying upon a few notes. And it essayed to drown the other music by the violence of its voice, but it seemed that its most triumphant notes were taken by the other and woven into its own solemn pattern.
In the midst of this strife, whereat the halls of Ilúvatar shook and a tremor ran out into the silences yet unmoved, Ilúvatar arose a third time, and his face was terrible to behold. Then he raised up both his hands, and in one chord, deeper than the Abyss, higher than the Firmament, piercing as the light of the eye of Ilúvatar, the Music ceased.
Then Ilúvatar spoke, and he said: ‘Mighty are the Ainur, and mightiest among them is Melkor; but that he may know, and all the Ainur, that I am Ilúvatar, those things that ye have sung, I will show them forth, that ye may see what ye have done. And thou, Melkor, shalt see that no theme may be played that hath not its uttermost source in me, nor can any alter the music in my despite. For he that attempteth this shall prove but mine instrument in the devising of things more wonderful, which he himself hath not imagined.
Then the Ainur were afraid, and they did not yet comprehend the words that were said to them; and Melkor was filled with shame, of which came secret anger. But Ilúvatar arose in splendour, and he went forth from the fair regions that he had made for the Ainur; and the Ainur followed him.
But when they were come into the Void, Ilúvatar said to them: ‘Behold your Music!’ And he showed to them a vision, giving to them sight where before was only hearing; and they saw a new World made visible before them, and it was globed amid the Void, and it was sustained therein, but was not of it. And as they looked and wondered this World began to unfold its history, and it seemed to them that it lived and grew. And when the Ainur had gazed for a while and were silent, Ilúvatar said again: ‘Behold your Music! This is your minstrelsy; and each of you shall find contained herein, amid the design that I set before you, all those things which it may seem that he himself devised or added. And thou, Melkor, wilt discover all the secret thoughts of thy mind, and wilt perceive that they are but a part of the whole and tributary to its glory.
And many other things Ilúvatar spoke to the Ainur at that time, and because of their memory of his words, and the knowledge that each has of the music that he himself made, the Ainur know much of what was, and is, and is to come, and few things are unseen by them. Yet some things there are that they cannot see, neither alone nor taking counsel together; for to none but himself has Ilúvatar revealed all that he has in store, and in every age there come forth things that are new and have no foretelling, for they do not proceed from the past. And so it was that as this vision of the World was played before them, the Ainur saw that it contained things which they had not thought. And they saw with amazement the coming of the Children of Ilúvatar, and the habitation that was prepared for them; and they perceived that they themselves in the labour of their music had been busy with the preparation of this dwelling, and yet knew not that it had any purpose beyond its own beauty. For the Children of Ilúvatar were conceived by him alone; and they came with the third theme, and were not in the theme which Ilúvatar propounded at the beginning, and none of the Ainur had part in their making. Therefore when they beheld them, the more did they love them, being things other than themselves, strange and free, wherein they saw the mind of Ilúvatar reflected anew, and learned yet a little more of his wisdom, which otherwise had been hidden even from the Ainur.