Thought I would get the thread back on track

and dig a little further into the Catholic Marian centralized view in the movie [you have to give me credit for trying, vaspers

][plus, my apologies for having to read it twice, I posted it on the wrong thread - senior moments abound - sigh . . .

].
From "The Deloures Passion" by Anne Catherine Emmerick [chapter 1 as quoted in an earlier post by S & T - check out entire post for added examples - page 1 of this thread]
During this agony of Jesus, I saw the Blessed Virgin also overwhelmed with sorrow and anguish of soul, in the house of Mary, the mother of Mark. She was with Magdalen and Mary? for she beheld in spirit Jesus bathed in a bloody sweat. I saw the interior movements of her soul towards Jesus, who thought of her, and turned his eyes in her direction, as if to seek her assistance. I beheld the spiritual communication which they had with each other, under the form of rays passing to and fro between them.
He saw also and felt the sufferings endured at that moment by his Mother, whose interior union with his agony was so entire that she had fainted in the arms of her two friends.
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MalkyEL:
The mystic concept is an important, if not a totally inclusive theme in the movie. Most of the scenes, including those with Mary come from 3 sources that Mel has given reference to in many of his interviews. I don't understand how this is missed by the Christian community at large, who by their continued support, in essence, applaud and venerate a Godless gospel as displayed in this movie.
Anne Emmerick, The prayers of St Bridget of Sweden, and Mary Agreda are all mystic nuns and "visionaries" whose visions and apparitions tell the story of Jesus suffering and crucifixtion. Mel totally relied on these mystic revelations and prayers for his storyline and script for the movie. This is how Marian veneration is played out in the movie.
The reason she is central to the theme of the movie, is because Catholicism places her as "the Queen of Heaven", as co-mediatrix, and as the sinless eternal Virign. This mystic concept has the full attention of Mel as he weaves Mary into a total and complete character of an epitome of motherhood, even captializing "Mother" in the subtitles and having the disciples in the movie call her "Mother" - including Peter who kneels at her feet to ask forgiveness - hence, her role as co-mediatrix. She is seen flitting about as the eternal paragon of virtue and in complete and total control of her emotions. The two scenes which I find as complete heresy and abomination are when she and Mary Magdalene wipe up Jesus blood in the courtyard and when Mary kisses Jesus feet while He is on the cross, leaving her with blood on her lips and face. This is total fabrication, unscriptural, not historical, and again, according to the mystic visions of Anne.
I have read on different threads that Mary "is just a mom" in the movie, loving and giving strength and compassion to Jesus in the movie. I am concerned because this is not a Scriptural view of her or Jesus. Jesus is God, fully God, fully man 100%. He has no need of strength or compassion from His earthly mother, who ceased to be that figure by His own words [Matt 12:46-50]. When the angel ministered to Jesus in the Garden, that was all He needed as deemed necessary by His Father, Who knew, as did Jesus, exactly what was to come. Why would it be a surprise to Jesus to know what He faced? He knew it before He came to earth. To blatantly attack His deity by making the so-called "Mother of God" His equal while Christians accept it as fact, blows my mind.
In spite of my strong stand on the mystic version of Mary in this movie, my remarks are not vented toward her as the woman God chose to give birth to His Son. She obviously suffered and grieved. My discontent is aimed at a Catholic, mystic, and elevated portrayal of her in the movie - which is not God ordained.