“I didn’t really think a lot about the religious aspect,” director Andrew Adamson stated. “I know C. S. Lewis never really intended it to be allegory, but he definitely wrote from a place of his own belief, and a lot of people get that from the book… People can interpret the movie the same way, they can apply their personal belief and interpret the movie the same way they interpret the book.”
"Even Aslan himself, the great Lion and Narnia’s true King, though commonly described as a “Christ figure,” isn’t really an allegorical or symbolic representation of Jesus — because he’s actually much more than that. Literarily, Aslan is nothing less than an imaginary portrayal of the very Divine Person known in our world as Jesus Christ, appearing in another world as the Lion Aslan.
In other words, it isn’t just that there are “parallels” between Aslan and Jesus. Rather, Lewis imagines that the same God who created our world and sent His Son to be born here from a Virgin also created the world of Narnia and sent that same Son there as a Lion. (God the Father is known in the books as “the Emperor-Beyond-the-Sea.”)"
The Narnia filmmakers, though, seem to take the line that the religious meaning of the Narnia stories is there only if you want it to be. Producer Mark Johnson went so far as to state that “Lewis himself never really saw these as Christian books. Obviously he is a Christian, and imbued them with a lot of his values, but they are not specifically that. So we wanted to be true to the books, so that if you find religious meaning in the books, hopefully you’ll find that in the movie also.”
“A lot of people know that C. S. Lewis is a well-known Christian apologist,” said Tilda Swinton, whose chilly performance brings the White Witch vividly to life. “And for a lot of people for whom that’s important, that religious allegory will be important. But there are many, many millions of other people for whom it’s not. And it’s all still theirs… But the Christians are welcome,” she added jocularly.
Striking much the same note, William Moseley, the film’s Peter, said, “I think a lot of things come down to what you believe, and who you are, and your individual perception of good or evil. Whether that’s religious, or whether that’s just your personal point of view. When I first read the books, I didn’t see the religious aspects a tiny bit… But then I was told that it was a religious story. And I still thought it’s an amazing story.”
For Adamson, it seems, “It is finished” had another meaning entirely. “The thing that I wanted, the thing I was really going for there, was Aslan’s sadness at having to get to the point… I didn’t want to send home the message that war is an ideal solution. I wanted Aslan to actually regret the fact that he was going to have to kill the White Witch. I wanted a line where he could really just turn to Peter and say, ‘It’s over. It’s done.’ ” (In spite of this, it seems likely that one of the screenwriters did know the reference, and that the line found its way into the screenplay for that reason.)
Adamson has actually said that the Witch “has to be as smart, as strong and as intense as Aslan the Lion in her confrontations with him.” Asked about this, the director qualified his earlier comments, conceding that “Aslan was always intended to be more powerful,” but added that he “wanted to make her a significant adversary, so that it wasn’t just an easy thing for Aslan to deal with.” Johnson called Aslan and the Witch “worthy adversaries,” although he argued that the film does depict Aslan as “the smarter of the two, because he’s figured out the Deep Magic in a way that she hadn’t.” (Lewis wouldn’t have cottoned to the idea of Aslan “figuring out” anything.) Later, though, Adamson acknowledged that Aslan is “omnipotent.”
http://www.decentfilms.com/sections/articles/2636
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Ok .... we have Jesus in this movie, produced, directed, and acted by unbelievers who have no clue Who He is, portrayed as a mystical lion who is equal in power to a white witch ...... sounds like a great "witnessing" tool to me
