superdave said:
The big one is this. Lord of the Rings is for the most part, imaginary. It reflects no reality that would be mistaken for truth.
Harry Potter blurs the line between what is made up and what is real.
If Harry Potter "blurs" this line, then
all fiction is equally guilty because fiction, by definition, never happened.
But
all fiction likewise reflects something of reality - even LotR. The characters in Tolkien may be orcs and hobbits and dwarfs in addition to men, but they are all driven by the same passions and desires as non-fictional people. If you fall off a bridge while fighting a Balrog, gravity has the same effect on you as if you fall off a bridge in the real world. Fiction
must reflect reality to a certain extent, otherwise we have no common ground upon which to appreciate or identify with it.
So if Harry Potter blurs the line between fantasy and reality, this is not a criticism against Harry Potter because it is only doing what all fiction does. It is merely a matter of the degree to which fantasy and "reality" are visibly separate from each other. By the same criterion, you would have to judge murder mysteries or Harlequin romances as the worst offenders (since nothing happens in them that couldn't happen in the real world), Harry Potter somewhere in the middle (since Hogwarts and the magical community, though part of our world, are magically concealed from us Muggles), and Tolkien at the other end of the spectrum (since it takes place entirely in Middle-earth).
J.K. Rowling uses modern occult and wiccan religion to model her school of witchcraft. It is not even historical as she claims. It is still being practiced in the way she describes today.
"Real" Wiccans wave willow-and-phoenix-feather wands and cast spells in mock-Latin puns, mix eye of newt and toe of frog in boiling cauldrons, and fly through the air on brooms? Hardly.
Actually, Wicca is largely pantheism and nature worship, which are not part of Harry Potter's world. Rowling's sources are folklore and her own head.
Even the elves [in Tolkien] question why hobbits and men call their powers magic. It is part of their very nature, as is the powers of characters such as Saruman, Gandolf, and Sauron.
This is no different from Harry Potter, where magical ability is, for lack of a better word, genetic. It is indeed "part of your very nature"; you're born with it or you're not. Those who aren't, are "Muggles." Harry's father was a wizard, and his mother was not. Just as two brown-eyed parents can sometimes produce blue-eyed offspring, sometimes children of Muggles are born with magical ability (Harry's friend Hermione is one of these; her parents are dentists). And this works in reverse as well: Filch, the caretaker at Hogwarts, is a "squib," someone with no magical ability born of wizards; in one book he is trying to learn magic by mail-order.
They are a separate race of beings that have certain abilities.
Just like Wizards and Muggles, in other words.
Objects in LOTR are not demon possessed or enchanted, but have been made in a special way to be powerful,
Partly true also in the world of Harry Potter, though it is also possible to enchant mundane articles (such as the Weasleys' flying car).
Of course, I would be remiss to point out that in LotR, the hold that the Rings of Power have over their owners is very much like demon possession!
I could not write some of the words used directly in the book, because they would just come out as *******. The Lord's name in vain, as well as several other crude and obscene terms.
You are overstating the case. The Lord's name is taken in vain but a few times. I don't approve of it either, but you are making it sound like the characters are swearing a blue streak of profanity from one cover to the other, which they are not. Furthermore, the "several other crude and obscene terms" are commonplace in British literature (which Harry Potter is), and even acceptable in children's literature - the same "crude" words appear frequently in the Chronicles of Narnia!
The most concerning thing about the books is the rampant moral relativism.
I fail to see any "rampant moral relativism" in any of the books. In fact, it's quite clear that you are supposed to side with the good, and oppose evil.
A local columnist, a Roman Catholic, rightly pointed out that one weakness of Rowling's moral world is that while good and evil are absolute, they are not properly grounded in the mind of God. Therefore, he argues (and I agree) the moral system of Harry Potter is not incompatible with Christianity so much as incomplete. He recommended Narnia to complete your children's "education," as it were.
There are places where sometimes the books are morally
ambiguous, e.g. the loyalties of the various Hogwarts teachers are not always clear. But not knowing who is good or evil is not the same as saying good and evil are relative.
We see the same thing in LotR: at first we are led to believe that Saruman is good; it seems at one point that Gollum might be redeemable; Boromir becomes enchanted by the Ring and betrays Frodo; even Gandalf seems to be manipulating events behind the scenes.
Quite frankly, stories where you can tell the good guys from the bad guys by the colour of hat they wear or their silly accents are dumb.
Would you call your child good if they Disobeyed, lied/cheated, broke the rules of their school or household, or were cruel to others?
In addition to fantasy, Harry Potter is also partly of the genre of "boarding school" stories, such as
Tom Brown's School Days by Thomas Hughes (this book is one of Rowling's inspirations, and I also recommend it as good reading). It is a standard vehicle for character development in these stories for the protagonist to break the school rules, suffer some consequence, perhaps have a run-in with the stern but kindly Headmaster. If Harry breaks the Hogwarts rules, he is only following the conventions established for his kind of story.
Moreover, except for a very few introductory-type passages, Rowling writes from a point of view called "limited omniscience" - a third-person narrative from the point of view of a single character. We only know what Harry knows, so if Rowling wants to reveal some crucial bit of information to the reader, she has to find some way of getting Harry to hear it. In many cases that means donning the Invisibility Cloak and snooping. It ain't what we ourselves would do, but it's better storytelling - it creates suspense.
Harry does all these things in the name of good, and rarely is he punished for his behavior, in many cases he is rewarded. He rides a broomstick after the teacher says they will be expelled if they do, and is rewarded for his behaviour by being placed on the quiddich team.
Yes, but he is also reprimanded and told that he
ought to have been expelled. It is implied that Harry was
not punished because his motives were honourable (defending a weaker child from a bully) and this mitigated his guilt. Obeying God rather than men, as it were.
Adults who want Harry to behave or be punished for his behavior are portrayed by Rowling as "Bad". Professor Snape, Argus Filtch, or the Dursleys.
Not so. The Dursleys are bad because they are bigots and child abusers. Filch doesn't like
anyone sneaking around because he has to clean up after them. Snape wants Harry to be punished not because of his high regard for the school rules but a personal grudge, but as the story develops it is becoming apparent he is one of the "good guys" nonetheless.
In fact, the
strictest teacher is Prof. McGonagall, who is unquestionably good, and admired by Harry.
The headmaster of the school says to Harry in I believe the third book, "Truth is generally preferrable to lies" and that is the message of the whole series.
Understatement is a characteristic of dry British wit.
As far as "good vs. evil" it gets even cloudier. Professor Snape is the suspect for much of the first book, than he helps Harry and professor Quirrel ends up being possessed by the evil Lord Voldemort.
Well, as I said above, the good guys and the bad guys are rarely clearly identified as such. Moral ambiguity (in addition to being a realistic portrayal of the world) makes good storytelling - it builds suspense as we try and figure out where everyone's loyalties
really lie.
The Book "Harry Potter and the Bible" by Richard Abanes is fairly good.
Also, for an excellent critique that is generally supportive of Harry Potter, see also
What's a Christian to Do With Harry Potter? by Connie Neal.
I also recently aquired a short book,
A Closer Look at Harry Potter by John Houghton. He comes down somewhat against the stories (not condemning them outright) and many of his insights are thoughtful, though there are a few places where he undermines himself with misinterpretations or errors of fact.
[ January 07, 2002: Message edited by: Ransom ]