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No kidding.I think that's an overgeneralization of a personal opinion not validated either in this thread or in the hearts of those who like or dislike the song. "Little Drummer Boy" has absolutely nothing to do with salvation. It has to do with serving the Lord of Hosts.
I bring this up every year, because one's feelings about the song is dictated by his soteriology.
For some, salvation simply means that God glosses over their corruptions and winks at their ignorance, and because their hearts are in the right place, He lowers His standards. For others, salvation means the need of a substitute in everything.
The former tend to like this song a lot.
It's not so much about the boy as the premise of the song.There's no warrant for even suggesting that the drummer boy was "pagan."
More than that, it's about our union with Christ. All our unrighteousness becomes His, and all His righteousness becomes ours.Furthermore, he does not seem to understand grace in general, and most specifically, the grace we have in Christ. Sin has been dealt with in Christ. It is no longer about "measuring up" (if it ever was), but it is about aligning ourselves with God and experiencing His transformation of our lives.
The premise you suppose is not even suggested by the song.It's not so much about the boy as the premise of the song.
Unrighteousness was dealt with on the cross and it is no longer an issue for those in Christ. We are dead to it in Christ.More than that, it's about our union with Christ. All our unrighteousness becomes His, and all His righteousness becomes ours.
So which is it? Are you in union with Christ or not? If you are in union with Christ, you need to set aside your obsession with unrighteousness and embrace the grace of God so that you may experience practical righteousness worked out in your mind and body. Obsession over unrighteousness leaves you stuck in sin and unable to experience and extend grace.Christ, and He alone is worthy. We are ALL unrighteousness, He is all righteousness.
And this is relevant to what, exactly??So, when you offer your filthy rags (look that up in a Gr. lexicon), He thinks they smell sweet?
:thumbsup:No kidding.
For the record, I find the song very annoying and dislike it very much, but Aaron's reasons assume way too much and make massive unfounded generalizations/condemnations about others and the very song itself. There's no warrant for even suggesting that the drummer boy was "pagan."
Furthermore, he does not seem to understand grace in general, and most specifically, the grace we have in Christ. Sin has been dealt with in Christ. It is no longer about "measuring up" (if it ever was), but it is about aligning ourselves with God and experiencing His transformation of our lives.
Yes, yes. You keep asserting this error. Time to go to the Scriptures now and see what the acceptable offerings are.Fortunately Christ accepts (as you put it in post #18) "corrupt gifts." The gifts we bring can be good enough, not because of the gifts themselves, but because of our attitude toward God, our position in Christ, and the graciousness of our Heavenly Father.
And this is relevant to what, exactly??
Psalm 51:15-17Yes, yes. You keep asserting this error. Time to go to the Scriptures now and see what the acceptable offerings are.
You first.
I am keeping up, case you hadn't noticed. I think my post hashed your premise, but that's just my opinion.Any offering you bring. try to keep up.
Psalm 51:15-17
O Lord, open my lips,
and my mouth will declare your praise.
For you have no delight in sacrifice;
if I were to give a burnt offering, you would not be pleased.
The sacrifice acceptable to God is a broken spirit;
a broken and contrite heart, O God, you will not despise.
You need to keep reading.if I were to give a burnt offering, you would not be pleased
This thread was my first foray into the Music Ministry realm.
Likely will be my last, too.
I know the Psalm well. Something had to happen before a bullock (or the thing it signified) could be offered on the altar. What was it?You need to keep reading.
Are you referring to repentance*?I know the Psalm well. Something had to happen before a bullock (or the thing it signified) could be offered on the altar. What was it?
Just sayin'.....:thumbs: and so is the infant in this song, as in any apocryphal account of Jesus' childhood.
Musically, it's a beautiful song, and I have the Harry Simeone album. My grandparents had an original release, my parents have a copy released in the '60's, and I have a CD release. I listen to it several times each season. That album is one of the best Christmas albums ever produced. And though the music was Katherine Davis' primary concern, naturally her notions of Christ's person and His mission come out in the little story she wrote for it. And, naturally, and quite involuntarily, we pick up on it, and we either agree or we don't.
Fundamentally, Davis' notions were flawed, but notice the reactions to my criticism. Folks were thinking I was criticizing the Gospel. The beautiful music, the setting of the story, the season in which it is popular, and sympathy for the poor set the stage for wholesale an unthinking acceptance of an apocryphal account as true.
Musically, it's beautiful. It sounds like Christmas. But doctrinally, it belongs on the shelf with the Infancy Gospels.
Just sayin'.